Film Scoring Bundle: Writing Music For Films: Parts 1 and 2

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素材介绍

Film Scoring Bundle: Writing Music For Films: Parts 1 and 2

Last updated 4/2022

MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz

Language: English | Size: 6.07 GB | Duration: 8h 7m



Master the Art of Composing For Film and Learn To Find Gigs Doing It



What you'll learn

Get started building a portfolio of work to show their film composition talents

Score a feature film using a variety of techniques

Understand the process of writing music for film

Write and Compose music using proven techniques and tips

Create their own music using software, or good old pencil and paper.

Generate musical ideas through creativity exercises

Tools of the trade: Software

How do you start?

The process

Program music and metaphors

Character sketches

Writing through canon

Score and Source

Practicing with silent films

Setting up a session

Marking hits

Scoring the opening credits

Working with rhythm in cues

Finding and analyzing POV scenes

Creating atmosphere

Harmonizing string melodies

Polyrhythmic accompaniment

Working with string orchestra

The chase scene

Using the brass section

Building tension



Requirements

Students should be enthusiastic about music, but do not need to be producers or musicians. No prior experience is needed in the music industry, business, financing, or accounting.



Description

** UDEMY BESTSELLER **100% Answer Rate! Every single question posted to this class is answered within 24 hours by the instructor. Welcome to the COMPLETE Music COMPOSITION AND FILM SCORING Guide! The most popular film scoring online course!This is a class designed for the average person who is ready to take their music career (or music interest) and develop it into something more. Whether you are an active musician or an aspiring musician, this class is perfect for you.In this course, we will learn the essential techniques used in writing music for the film. Through a series of analysis' of well-known film scenes from your favorite movies we will learn what makes a great cue, and then apply those techniques by writing our own. I'll be showing you some of my own projects for film and television throughout the class, and walk you through my process when composing music for a film project.By the end of this course, students will understand the tools, lingo, and techniques used in the film composing world and will be ready to dive into their own projects. I'll walk you through how to get started on your first project by using freely available movies that need a score. Throughout my career, I've worked with major American orchestras, film studios, and video game designers. I'm also a Ph.D. in music composition and a university professor (of music composition). Recently I was named as a semi-finalist for the Grammy Foundation's Music Educator of the Year award because of my in-person university classes. Now I'm taking those classes to Udemy in an online format in order to reach more students and give them the joy of Music Theory.I'm planning on making several "sections" of this class, and this is Part 1. As the class grows, we will go deeper and deeper into my techniques. In this class, we will cover:Tools of the tradeFinding the emotional responseMusic Theory and GenreScoring for filmUsing Modes in Film ScoresFinding the MessageLearning from Temp Cues"Spotting" the filmFilm score composition techniquesWorking with industry budgetsDiegetic music and non-diegetic musicScore and SourceThe OstinatoWorking with silent filmsSetting up a sessionMarking hitsScoring the opening creditsMotive and LeitmotifWorking with LeitmotifsWorking with the rhythm in cuesPOVFinding and analyzing POV scenesComposing using POVAnd much, much, more! And of course, once you sign up for this class, all my other classes are yours at steep discounts! Over half off for all future sections!The course is a roadmap to launching your career as a composer!All the tools you need to prepare, organize and start your career are included in this course and the entire course is based on real-life experiences - not just academic theory.Please click the "Take This Course" button so you can launch your music career today.** I guarantee that this course is the most thorough music business course available ANYWHERE on the market - or your money back (30-day money-back guarantee) **Closed captions have been added to all lessons in this course.--------------------------------------------------------------------- Praise for Courses by Jason Allen:⇢ "It seems like every little detail is being covered in an extremely simple fashion. The learning process becomes relaxed and allows complex concepts to get absorbed easily. My only regret is not taking this course earlier." - M. Shah⇢ "Great for everyone without any knowledge so far. I bought all three parts... It's the best investment in leveling up my skills so far.." - Z. Palce⇢ "Excellent explanations! No more or less than what is needed." - A. Tóth⇢ "VERY COOL. I've waited for years to see a good video course, now I don't have to wait anymore. Thank You!" - Jeffrey Koury⇢ "I am learning LOTS! And I really like having the worksheets!" - A. Deichsel⇢ "The basics explained very clearly - loads of really useful tips!" - J. Pook⇢ "Jason is really quick and great with questions, always a great resource for an online class!" M. Smith----------------------------------------------------------------------------Students who register for this course will receive ongoing exclusive content and discounts for all future classes in the series.



Overview

Section 1: Introduction



Lecture 1 Introduction



Lecture 2 Tools of the Trade, and a Look at One of My Projects



Lecture 3 Update! MuseScore 3.0



Lecture 4 What I've Found in Other Film Scoring Classes



Lecture 5 A Note About Examples in This Class



Section 2: Emotion and Music Theory



Lecture 6 Finding the Right Emotional Response



Lecture 7 Music Theory and Genre



Lecture 8 Using Modes in Film Music



Lecture 9 Finding the Message of the Film



Lecture 10 Threnody for the Care Bears



Section 3: The Process



Lecture 11 Learning From Temp Cues



Lecture 12 Spotting the Film



Lecture 13 Budgets



Section 4: Diegetic Music and Non Diegetic Music



Lecture 14 Diegetic and Non Diegetic Music



Lecture 15 Score and Source Example: JAWS (1975)



Lecture 16 Source Music Elements



Lecture 17 When the Score and Source Collide



Lecture 18 Analysis: Battlestar Galactica



Section 5: The Ostinato



Lecture 19 Analysis: Captain America



Lecture 20 Analysis: Requiem for a Dream



Lecture 21 The Ostinato



Lecture 22 Working with Silent Films



Lecture 23 Setting Up a Session



Lecture 24 Composing with Ostinatos



Lecture 25 Building on Ostinatos with More Elements



Lecture 26 Marking Hits



Lecture 27 Finishing Up Our Intro



Lecture 28 A Quick Analysis So Far



Lecture 29

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